Need a professional portrait taken? These Irish photographers share their tips for achieving the best shot …
Naomi with Corina Gaffey.
“My journey with photography started in college where I pursued a BA in Fine Art Photography. It was a valuable experience that taught me both the conceptual side of photography and the intricacies of project management. I completed my degree entirely using analog methods, then transitioned into the commercial photography space and began working with digital technology. Today, I work with both mediums, choosing whichever best suits my client’s needs.
I would describe my style as candid, with a touch of artistic spontaneity. My goal is to capture my subjects in a way that feels true to who they are; aiming for natural, unposed moments whenever possible. I particularly enjoy working with analog as it slows the process down. With fewer shots taken, it keeps the experience fresh and engaging. I’m not one to over-direct, preferring to give the subject freedom to contribute to the shoot. This approach fosters a collaborative process, and I like to think that my clients leave with something unique and aligned with their vision.
I always advise sitters to consider whether they prefer a studio or environmental portrait. Studio portraits focus more on the subject and lighting that can sometimes feel intimidating, but a skilled photographer will make you feel at ease. On the other hand, environmental portraits allow the subject to interact with their surroundings or props, offering more variety and context. Both options have their own advantages. Hair and make-up are key, and I recommend having them professionally done. Also dress in a way that reflects your personal style, with a polished touch. It’s advisable to bring a few outfit options as some clothes work better for sitting or standing, so consider how you’ll pose.”
“As a professional editorial photographer, location is a big consideration. I don’t work from a studio, so all of my portrait sessions are unique. I aim to elevate the person within the space, giving them an opportunity to create artistic portraits that are more than an everyday image of themselves. I always recommend light make-up and wearing something that feels comfortable. That said, I encourage subjects to be the bravest version of themselves for this time.” @ruthmariaphotos
“I grew up in our family’s country house hotel by the sea in the heart of Connemara, so this life of hospitality and the natural world in the region informed my work. I worked in the kitchen from an early age, so after university in Cork I became a professional chef. It was no surprise then that when I started off in photography, it was with food. This grew into a passion for telling the stories of the people behind the food: the landscape where it’s produced, portraits of the producers and chefs; often families with legacy farms and new generations with exciting new offerings.
I work almost exclusively with natural light as, although challenging, I find that it brings a more authentic expression to the work. I like capturing the fleeting moments of light and shadow on a plate, in the sky or within an expression. Because I love to shoot people in place, a photograph works best when someone is their authentic self. I get the best results when people feel good and have time to get comfortable in front of the camera. Then I get the shot that penetrates the surface and suggests something a little deeper.” @cliodhnaprendergast
Emily with actor Jack Reynor at her exhibition “Art of Strength”
“I started my career in Australia where I worked in a picture lab, printing from film and touching up images. We had the likes of Toni Colette dropping in to collect prints, so it was a fun experience. I came home and started to assist photographers Brendan Bourke, Lorna Fitzsimons and Perry Ogden, and I did a spell in London with Greg Williams. Since I started my own business, I’ve been lucky to photograph many wonderful people including the late Vicky Phelan, The Edge and Colin Farrell.
There’s a wonderful book by Anya Hindmarch called If In Doubt, Wash Your Hair in which she shares what she has learned during her life. I always say that if your hair is picture-ready, everything else will fall into place. Also, wear comfortable clothes. Not too zany though, a nice classic look always stands the test of time.” @emilyquinnphoto
“With over 22 years of experience and a background in visual communications, I offer a meticulous pre-shoot styling consultation from outfit selection to aesthetics to ensure my clients look and feel their absolute best. Professional make-up is a game-changer. Having a glam team on location for your shoot ensures that you look fresh from beginning to end.” @portrait.boss
“I’m drawn to people, their stories, passions and interests; I love to document it all. Following the completion of my degree in photography in Dun Laoghaire Institute Of Art Design and Technology in Dublin, I moved to New York in 2017. It was here that I became drawn to fashion and street photography.
In my portraiture, I aim to bring out the unique personalities of my subjects, using natural light and minimalist backgrounds to keep the focus on the individuals. Before any portrait shoot, I ask my sitters to consider the right location, whether’s naturally lit or in a studio. It always helps if you can provide some references for the style of photography you hope to achieve.
Choosing the right outfit is key too; one you’re comfortable in, although I always suggest avoiding distracting patterns. Prepping hair and skin is always good, so bring make-up and a hair brush for touch-ups. I guide sitters through the process to achieve a natural posture and encourage my subject to embrace their ‘good side’ or expression they prefer. It’s a collaborative experience to get a portrait they’re happy with. Timing is also important, so schedule your session when you’re feeling your best. If you tend to be more energetic or relaxed at certain times of day, plan accordingly.” @liadhc
Doreen specialises in portraiture and fashion photography, with light and shadow defining her work. Initially, her skills were learned in the Gallery of Photography Dublin before she built on that knowledge through attending workshops in the UK and US. Last year, Doreen ventured into the teaching arena herself, joining Cliodhna Prendergast, Katie Sanderson and Ruth Kennedy Forsyth at Cliodhna’s photography retreats in Connemara (there’s another in October). She has also led creative retreats in France with a focus on storytelling through photography.
“All of my work whether personal, fashion or commercial is approached with the same simple intent: to make a portrait of the time. My overriding tip is to be yourself. One of my favourite portraits is of Pip Simmons as it’s a perfect example of the kind of environmental portrait I prefer”. @dkilfeather
